Point/Counterpoint Part I: The RIAA is Evil

It has been known for quite some time that the Recording Industry Association of America (RIAA) is a “monster” in some of the most literal definitions of the word- it is a massive, powerful and hateful organization that preys on the defenseless with unflinching malice. Since 2003, they have filed over 35,000 lawsuits against any and every kind of person while being backed up by a force of thousands of formidable lawyers. And while some of these cases might have had legal ground to stand on, others have just been downright despicable. Whether it’s suing children or the deceased, the RIAA has proven that there are no depths too low for them to sink to.

So to give you an idea as to just how villainous they really are, we’ve compiled a list of the RIAA’s most outrageous and offensive lawsuits.

Laser Printer Pirate
If you thought that you had to be a human being to fall under the radar of the RIAA, guess again. Though technically not a lawsuit, the following case has become known as one of the funniest examples of the RIAA’s stupidity. In August 2007, 13 takedown notices were sent to the University of Washington demanding them to stop pirating music. However, what makes this story so ridiculous is that several of the machines accused of pirating music were actually laser printers connected to the school’s network. Now, I’m not sure how a laser printer would be able to download music but I’m assuming that it involves printing out the lyrics or something equally absurd- or it’s just a great example of the RIAA’s incompetence.

But despite the humorous nature of the story, the University of Washington wanted to prove that this is no laughing matter and published a report about the takedown notices to emphasize the seriousness of the situation.

“Our results show that potentially any Internet user is at risk for receiving [takedown notices] today. Whether a false positive sent to a user that has never even used BitTorrent or a truly infringing user that relies on incomplete IP blacklists, there is currently no way for anyone to wholly avoid the risk of complaints.”

No Computer, No Problem for the RIAA
To illustrate the point made in the University of Washington paper about nobody being safe from the RIAA – including those who have never even used Bittorrent – the next case involves a woman who has never even used a computer. Marie Lindor from Brooklyn, New York opened her mailbox one day probably expecting her normal flood of coupons and letters from grandchildren, but instead found a greeting card from the RIAA inviting her to either join them in the courtroom or pay a 00 “No thank you” fee, otherwise known as a “settlement.”

So you might want to think that the RIAA dismissed the case after she patiently explained to them that she’s never used a computer, has no idea what a Bittorrent is and hasn’t heard of pirating outside of childhood stories about Blackbeard. But that’s not what happened – the RIAA has “principles.” Instead, they ignored the facts and pointed out that she had an unsecure wireless modem set up in her apartment from a few years back when her son had briefly set up a computer there for personal use. However, the dates the RIAA provided of when the pirating took place wasn’t even during that brief time period, so even this doesn’t explain anything.

In all likelihood, someone from another apartment connected without permission to her wireless modem and pirated music – since the modem was not password protected – and now she has to pay for it. Just one more lesson learnt about the dangers of both unencrypted wireless networks and evil soulless organizations like the RIAA.

Copyrights over Human Rights
Imagine you’re the parent of a sick teenage girl suffering from pancreatitis who’s regularly hospitalized and needs a cell transplant or she faces death. Then, one day, you’re sorting through the medical bills and you come across another bill – except this one isn’t from the hospital, it’s from the RIAA demanding thousands of dollars in fines because they say your daughter illegally downloaded Justin Timberlake’s “Bringing Sexy Back.”

That’s the heartbreaking story that unfolded with 19 year old Ciara Sauro from Pittsburgh who has been confined to a hospital bed for a large part of her life. At the time they received the lawsuit, her mother Lisa made only .25 an hour at work and spent the remainder of her time at the bedside of her daughter helping her fight off the ailment. But now they have to fight off another sickness – the depravity of the RIAA.

The lawsuit calls for a settlement of nearly ,000 for downloading roughly 10 songs, but Ciara insists the RIAA has no idea what they’re talking about.

“Look and see where [the downloads] came from, and look and see that it’s not me. It’s not fair to do to me,” said Ciara. “I already have severe depression. I mean, it’s so hard to sit there and think that I have to get in trouble for something that I didn’t do. It’s not fair.”

Of course it’s not fair, Ciara – but then again the RIAA isn’t interested in what’s fair. They’re just interested in money.

Better off Dead
In case you were under the impression that you had to be living to receive a lawsuit, think again. It seems that even the dead can’t rest in peace when the RIAA so wishes. This is what happened with 83-year old grandmother Gertrude Walton from Virginia who died months before the lawsuit was filed in 2005 accusing her of illegally sharing up to 700 songs over the internet. However, Gertrude’s daughter Robin says that her mother hated computers and refused to even have one in the house.

Knowing that the lawsuit must be based on false grounds – and because the accused was now deceased – Robin responded to the RIAA’s warning with a letter that included her mother’s death certificate and an explanation that they must be mistaken. But then, a week later, Robin and her deceased mother received the official lawsuit in the mail.

Though eventually an RIAA spokesperson said that they would try to dismiss the case, is there any compensation that they’re being forced to pay for interrupting the grieving process with an outlandish lawsuit? Maybe when hell freezes over, destroying all the RIAA’s demonic attorneys.

Like Stealing Candy from a Baby
They’re never too young for the RIAA. In what has become one of the most notorious lawsuits they have ever pursued, young 12 year old Brianna LaHara found herself at the center of the RIAA’s crosshairs in 2003 after she was accused of downloading over 1,000 copyrighted songs through the filesharing service Kazaa. Though she had downloaded the songs, she had only done so because her parents paid a month to Kazaa for access to their music service – which deceptively didn’t actually give them the right to download music.

And though Brianna’s parents were a poor working class family that lived in a New York tenement, the RIAA originally tried suing them for an astronomical 0,000 per song. Sound a little extreme? Not to the RIAA.

“Nobody likes playing the heavy and having to resort to litigation,” said RIAA president Cary Sherman. “But when your product is being regularly stolen, there comes a time when you have to take appropriate action.”

So apparently suing a low-income family for millions of dollars is what Cary Sherman considers “appropriate.” But if that’s so, the next time that guy steps on my shoe, I’ll just throw him into traffic. It’s what I would personally consider “appropriate action.”

Though ultimately the lawsuit was settled for ,000, it just goes to show the role that strongman intimidation plays in the image of the RIAA.

Don’t Worry… For Now
Though the RIAA is by no means any less evil, starting in 2009 they decided to stop pursuing lawsuits against individuals and have now focused on attacking ISPs. So you can rest easy knowing that at least the plague of individual lawsuits during the dark ages of the RIAA are over, but don’t think you’re in the clear just yet. Piracy has been changing the face of the recording industry for over a decade now and it’s only increasing over time. And though it has now been widely proven that piracy can often be good for artists, especially struggling independent musicians, the RIAA will be undoubtedly cooking up another evil scheme in some dark basement at one of their headquarters to screw the consumer and prevent progress. But if there’s one lesson we’ve learnt from Rome, it’s that every empire must one day fall. Let’s just hope that day is sometime soon because I hear U2′s new album is coming out soon and I got a torrent with their name on it.

More Recording Industry Articles

Question by hawaianprincess15: What is the Recording Industry Association of America?
because for American Expenditures on fast food, Eric Schlosser in “Fast Food Nation” cites his source as being the Recording Industry Assn of America. Yet I can’t find that same information on the Recording Industry Assn. of America, as it appears to be site related to the recording/music/industry.

Best answer:

Answer by Rob R.
The RIAA is an association of people who represent the “best interest” of the recording industry==I.E. Music and movies. The RIAA is the group responsible for shutting down Napster and bringing lawsuits against file-sharers. It is basically the big infant that kicks and screams and has a fit when people download music or movies without paying someone who is already extremely rich (such as a record executive). Sadly, the RIAA could have used Napster to make online music one of the most profitable industries in the world. Instead they chose to sue everyone that could fog a mirror, which many experts would argue was a horrible business strategy. The citation you mentioned was probably based on data collected by the RIAA.

Give your answer to this question below!

The U.S. CD, Record & Tape Recording report, published annually by Barnes Reports, contains timely and accurate industry statistics, forecasts and demographics. The report features 2010 current and 2011 forecast estimates on the size of the industry (sales, establishments, employment) nationally and for all 50 U.S. States and over 900 metro areas. New to the report this year are: financial ratios, number of firms and payroll estimates. The report also includes industry definition, 5-year historical trends on industry sales, establishments and employment, a breakdown of establishments, sales and employment by employee size of establishment (9 categories), and estimates on up to 10 sub-industries, including prerecorded or mass produced CDs, records and tapes.

Table Of Contents :

 

Users’ GuideIndustry Definition and Related Industries Industry Establishments Sales and Employment Trends Financial Ratios Establishments Firms and Payroll Sub-Industries – 2009 Estimated Industry Sales ($ Millions)Sub-Industries – 2009 Estimated Number of EstablishmentsSub-Industries – 2009 Estimated Number of Employees5-Year Trend – Estimated Industry Sales ($ Millions)5-Year Trend – Estimated Number of Establishments5-Year Trend – Estimated Number of Employees 2010 U.S. Metropolitan Areas – Estimated Number of Establishments2010 U.S. Metropolitan Areas – Estimated Industry Sales ($ Millions)2010 U.S. Metropolitan Areas – Estimated Number of Employees 2011 U.S. Metropolitan Areas – Estimated Number of Establishments 2011 U.S. Metropolitan Areas – Estimated Industry Sales ($ Millions) 2011 U.S. Metropolitan Areas – Estimated Number of Employees2010 U.S. States – Estimated Number of Establishments2010 U.S. States – Estimated Industry Sales ($ Millions)2010 U.S. States – Estimated Number of Employees2011 U.S. States – Estimated Number of Establishments2011 U.S. States – Estimated Industry Sales ($ Millions)2011 U.S. States – Estimated Number of EmployeesDefinitions and Terms

 

 

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Question by fatiimaq08: How many members are in the “actual group” of the Recording Industry Association of America?
How many members are in the ‘actual group’ of the Recording Industry Association of America? How many members are in its ‘potential group’?

Best answer:

Answer by Gar
The Recording Industry Association of America (or RIAA) is a trade group that represents the recording industry in the United States. Its members consist of a large number of private corporate entities such as record labels and distributors, who create and distribute about 90% of recorded music sold in the US. It is involved in a series of controversial copyright infringement legal actions on behalf of its members. In some of those cases it has been called by the defendants “a cartel acting collusively in violation of the antitrust laws and of public policy, by tying their copyrights to each other, collusively litigating and settling all cases together, and by entering into an unlawful agreement among themselves to prosecute and to dispose of all cases in accordance with a uniform agreement, and through common lawyers, thus overreaching the bounds and scope of whatever copyrights they might have”.

The RIAA was formed in 1952 primarily to administer the RIAA equalization curve, a technical standard of frequency response applied to vinyl records during manufacturing and playback. The RIAA has continued to participate in creating and administering technical standards for later systems of music recording and reproduction, including magnetic tape, cassette tapes, digital audio tapes, CDs and software-based digital technologies.

The RIAA also participates in the collection, administration and distribution of music licenses and royalties.

The association is responsible for certifying gold and platinum albums and singles in the USA. For more information about sales data see List of best selling albums and List of best selling singles.

The RIAA’s stated goals are:

to protect intellectual property rights worldwide and the First Amendment rights of artists;
to perform research about the music industry;
to monitor and review relevant laws, regulations and policies.

The RIAA is led by Mitch Bainwol, who has been Chairman and CEO since 2003. He is assisted by Cary Sherman, the President of the Board of Directors. There are 27 members of the board, who are drawn from a number of record companies.

The RIAA represents a large number of members, who are private corporate entities such as record labels and distributors, and who create and distribute about 90% of recorded music sold in the US.

The RIAA’s website contains a list of members, which has been disputed in the past, as Matador Records, Fat Wreck Chords Lookout Records, Epitaph Records and Bloodshot Records (who are not members) have been listed there. Some may have been automatically included in the list as they were using RIAA members as distributing labels.

The RIAA lists its member labels on their website. However, their website lists not only includes RIAA labels but non-RIAA labels that are distributors that report to the RIAA. The site has also not been updated since 2003 and is outdated.

“Big Four” RIAA members
EMI
Sony BMG Music Entertainment
Universal Music Group
Warner Music Group

http://www.riaa.com/aboutus.php?content_selector=aboutus_members

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